Peltz’s new body of work continues and expands her dialogue with issues concerning the social narrative we construct in both the private and public realms. Her paintings and drawings provide profound visual pleasure with bold color and striking imagery, as well as engaging us intellectually with her content of sign and symbol. Lorraine Peltz’s recent paintings examine a dreamy side of feminine fantasy and fashion culture. By combining various painting languages including recognizable imagery and painterly abstraction, Peltz attempts to mimic and reconcile how meaning is made, bit by bit, real life alongside memory, poetry next to prose.
As Lisa Wainwright, Dean of Graduate Studies at the School of the Art Institute of Chicago and Professor of Art History wrote in 2006, here are “worlds aqueous and cosmic, airy and verdant. The paintings glow with uncanny resonance and optical sheen. And then Peltz interrupts the dreaminess to cast a range of signs into ethereal spaces. Myriad symbols in their speech bubble niches hint at a narrative that unfolds from picture to picture. Both of nature and from culture, her icons speak to the polemic between essentialism and social construction that still grips feminist discourse…the mix of aesthetic delight and conceptual reading makes…one of Peltz’s strongest shows to date.”
Mentholated Daydream, 2007 |
Turbulent Waters, 2006 |
Afternoon Delight, 2006 |
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Dance Card, 2006 |
Lotus, 2007 |
Stardust1, 2007 |
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Orange Crush, 2007 |
Shift, 2007 |
Perfect Pair, 2007 |











